Showing posts with label cult classic. Show all posts
Showing posts with label cult classic. Show all posts

Sunday, May 31, 2015

It Follows (Review)

It Follows (2015)

Directed by David Robert Mitchell

There is a subtext in It Follows that harkens back to the horror cliches of sex = dead. But mostly in other generic mainstream horror, it's a scene does in haste and is usually followed by a stab stab stab.

It Follows does the opposite. Teenagers do teenage stuff and then the movie lingers. And the lingering creates a horror movie that shows us the consequences from boy and girl and the horror that slowly walks towards our final girl in some sort of calculated way.

It Follows is the indie horror equivalent of Blair Witch, taking a simple story and creating a mythos. I mean we are not given much, some few clues and details but already the movie has created a wikipedia of possibilities of what It is. The movie has slow, methodical pacing, its characters Jay (Maika Monroe) is brilliantly homegrown awesome and its backup characters give it a Gus Van Sant level of authenticity.

The big word here is minimalistic horror. Mitchell uses levels of gross "It" stalkers who seem to be level up in different settings from a school to house to the final showdown. You're jump scares come because in theory you don't know the rules of how or when the come though. We're given a loose rule book of how it passes along and what they need to do but it's still cloudy.

In the end, the final scene is mesmerizing to watch. Underneath the Halloween daylight creepiness scenes glittered throughout the film, the final scene has tension, suspense and the scares.

It's clear that when a movie like It Follows defies the odds and becomes a horror hit, it puts a smile to my face. A new horror IP. Originality that takes from a miss mosh of 70s, 80s and 90s horror and creates a horror movie that satisfies.

We need more It Follows. We need other filmmakers to follow suit. 

Plus a sequel. Dammit give us a sequel too.

Nude-ipedia
gross woman boobies


Gore-ipedia
A few scrapes


WTF moment
Stalkers galore!

The Jaded Viewer's Final Prognosis



This is the hidden gem of 2015. Somehow watch this and be amazed by the brilliance.



Wednesday, May 02, 2012

Film School 101: Analyzing a film student's vintage 90s short film

When you start working at a new job, you have no idea who your new coworkers are. They could be vigilante's at night for all you know or weekend serial killers. But the more I learned about my new coworker, the more things start being revealed. So one day during an early morning case of slacking he revealed he was an actor in a short film while in college. Having directed me to the YouTube link, I got to watch this entire short while eating a delicious salad. In what may have been the best lunch time viewing since I started this job, I witnessed a short film that had me on the fuckin floor.

Yes fellow jaded viewers, it's called "A Fall from Grace". And it's so horribly bad that it's fuckin awesome. It makes The Room look like Citizen Kane. It makes Birdemic look like The Birds. This short has elements of all that is perfect in this millennial age. It's vintage 90s (or it maybe circa early 2000s I actually have no idea so I'm gonna say late 90s), its made my college film students and it utilizes the now archaic Internet communication of the time (it's AOL Instant Messenger!).

Now you to can witness this masterpiece of cinema and get those warm nostalgia fuzzies of 90s filmmaking. I too participated in a few college produced horror shorts when I was at school and I have no idea what's happened to the footage. But my coworker has his live on YouTube, where I will help to make it go viral and establish it as the next found footage brilliance. Is this the next Tommy Wiseau Room-ish cult phenomenon?

You decide. Check out my analysis while you watch. Enjoy.

 


 
 

Here is a running log of my thoughts.
0:01: Cue 90s soundtrack
1:30: It's the establishing shot footage. Vintage Kevin Smith filmmaking!
1:55: It's random slo mo effects!
2:05: Note to self. Be careful of random guy asking to sit next to you in a room full of empty seats.
2:20: Dan and Ned are going to be BFFs 4 life......
2:28: Ummm that's some weird shit to say 5 seconds into meeting his new friend.
2:45: The dialogue here is absolutely brilliant. What kind of man are you? Huh Ned? Fuckin pussy Ned.
2:52: Screename!
2:59: Look at that face. Would you trust that guy?
3:43: Beware of screenames that start with "Cute". They be "spam bots".
3:45: Cue Green Day....
3:50: IM-ing was the Facebook of the 90s. I remember I would have warn wars with my friends back in the dot com days. Ring!
4:08: There is nothing that compares to the action scenes of somebody typing on screen and IM-ing somebody. Fuckin exciting!
4:28: That laptop had 128 MB of RAM and a a Pentium II processor. It's like it's from the future.
4:45: Random Kinkos product placement!
5:00: Best line of the short: "Don't fuck this up" God bless Dan and is overall douchebaginess.
5:22: Oh damn did somebody just fuck up? 
5:25: There is nothing wrong with one dude giving another dude a card. Remember this was the 90s.
6:28: 90s sped up date montage! You can smell the awkwardness!
6:45: You know what's fun for a first date? Sliding on ice and almost cracking your skull.
7:37: In the 90s, you didn't go eat when you went on a date.
7:47: A kiss on the cheek was like 3rd base in the 90s.
8:13: OH SHIT!!! MOTHERFUCKIN TWIST!
8:40: Ominous note footage equals you got played Ned.
9:15: Oh here we go again. Damn you Dan/Mike!

So what did you think? My coworker tells me he was in more shorts so the search continues to find them.
This is the funniest "it's so bad, it's good" shorts I've seen in a while. It must be enjoyed by all. 

Damn you Dan! Damn you!


Wednesday, April 13, 2011

Waldo the Dog (Review)

Waldo the Dog

Waldo the Dog (2010)

Directed by Kris Canonizado

One of the benefits of running The Jaded Viewer is that you get contacted to screen a lot of independent films. Some are terrible, others middle of the road and sometimes on that rare occasion you get to see a film that completely makes you go WTF! that was crazy awesome.

Waldo the Dog is one of those films that was WTF crazy awesome.

Director Kris Canonizado gave me the opportunity to view his debut film and it's one of hell of a ride. Waldo the Dog is guerrilla filmmaking at its most raw. Echoing the 90s indie vibe where independent filmmaking was scorching hot, it has that throwback feel of DIY creativity I enjoyed back in the day. No film permits, blurred reality and improvised dialogue. Canonizado has made a film with oddball characters that's part rom com, part drama and 100% weird. It takes a subject matter that's super duper sensitive and runs it in a gauntlet of emotion.

Waldo the Dog will be unlike any other film you have ever seen. It's the equivalent of seeing a fancy car get wrecked, miraculously repaired and then totally wrecked again. As much as you'd like to look away you can't. It's just so mesmerizing to watch.

Boring Plot-O-Matic

A guilt and shame ridden mentally unstable young man wears a dog mask to cope.

Awesome Review-O-Matic

Produced by Shane Ryan (of Amateur Pornstar Killer fame) Waldo the Dog is clearly in the same meta world. The film takes place around San Diego, California and revolves around a world that is pure wacky suburbia. The opening scene of Waldo (Rook Kelly), is him in his dog like mask which gets the first WTF out of you. Without catching a breath. a disturbing rape scene shows up that gets you completely weirded out even more.

The next successive scenes are of Waldo doing his daily routine. He's a slightly large man, hooded sweatshirt, ripped vest and he wears gloves. He panhandles throughout the neighborhood and after getting a generous donation signs up for a wrestling school. At 100% mute, this proves hilarious. We see him collect bottles and cans so he can get cash. He also goes dumpster diving and aimlessly watches the pedestrian traffic. In one scene that had me cracking up Waldo gets enough cash for a trip to Del Taco (?) and eats a burrito. As he eats he dances. It's insanely funny.

Later, Waldo rescues a beautiful girl (Jaquelyn Xavier) from a group of rapist thugs and they begin to form a friendship. One begs to question why a girl would start to get to know a man who wears a dog mask and doesn't talk, but I like to think it's all magical realism (it's the excuse I give something that I think doesn't make sense).

Jaquelyn tries to figure out this goofy buffoon, having solo conversations with Waldo as Waldo answers her back via pantomime and gestures. Soon they are frolicking to McD's, becoming professional swingers (err I mean swinging on a playground swing), going to the movies and becoming best buds. Oh yeah, after every "date" Waldo likes to pleasure himself outside Jackie's window. I thought you should know.

Waldo's wrestling skills improve while he's in his pseudo relationship and he's ultimately kicking ass. But all this can't last and as the last half hour approaches, we get some odd reveals as our mute becomes unmute. And in the last 10 minutes are a frenzy of WTF as ultimately we get an unmasking that proves disastrous.

First let's talk about the performances. Rook Kelly as Waldo is superb. His mute performance has gotta be one of the best mute performances by a man wearing a dog mask...well ever. Obviously, all the scenes and dialogue are improvised with some direction from Canonizado but Kelly makes it seem effortless. He's clearly doing his best Marcel Marceau and acts a range of emotion from sad to happy to angry. You have to realize that he and Jaquelyn are acting where the world doesn't know they are acting. The other people they interact with are probably going WTF. Why is this man wearing a rubbery dog mask, hanging out with a hot girl and is being recorded by a film crew?

I realized Waldo had entered Borat like territory. We're watching a movie where some of the people in it don't know it's a movie. There's a bit of surrealism in all this. The reactions all become priceless for all involved.

Jaquelyn Xavier performs under some odd circumstances. Definitely improvising her lines has gotta be tough where her counterpart is mute. Some lines come off rehearsed while others flow naturally. It's a testament to her ability to make her performance feel real in a world full of absurdity.

At the end of this movie, I realized I had not just a seen a day in the life of Waldo, a seemingly crazy masked anti-hero. I was actually watching an evolution of a man who was plagued by a guilt of something he had done. Because of this he needed to punish himself in different ways. When Waldo finally talks, he goes all Silent Bob and asks a profound question. From the physical, be it getting pounded on the mat by wrestlers or by a group of children on the playground, Waldo is looking to be punished for what he had done. His mental block of guilt was to create the Waldo the Dog persona and live a life of poverty, though seeking forgiveness from his victim. At the end you feel obligated to pick a side. Are you still pro Waldo or anti Waldo now that you have ALL the information.

It's an emotional journey of redemption, albeit it is done with one camera and long continuous shots, there is a solid story in Waldo. That's not to say it's perfect. I'm willing to forgive the budget and the guerrilla style but my biggest gripe is the length. The movie is 2 hours long when it should be 90 minutes. I can see why Canonizado dragged out the monotonous life of Waldo to show us how Waldo has slowly descended himself into nothing, but after the 3rd or 4th scene of seeing him doing nothing, I was getting aggravated. My attention span can only take so much.

With all this serious talk, I want to emphasize Waldo is full of ridiculousness that has gotta be seen to be believed. From the wrestling training (Tough Enough doesn't look like this) to a $1 for a kiss pier scam, it's full of moments of genuine ha ha's. I can't believe I am writing this but I actually got comfortable watching a masked man in a rubber dog mask for 2 hours. That's saying something.

Canonizado's debut film is mesmerizing and is destined to be a cult classic. I can only imagine the undertaking to make a film with such difficulty. I had imagined this would be full of shaky cam and amateurish cliches but somehow it doesn't feel that way. It felt like a documentary at times, but also like a cohesive pro movie as well.

So like I said, you have to pick a side. Ultimately, the success of Waldo the Dog is whether or not you like it's main character. Throughout the 2 hours of getting to know Waldo, I liked him. From his successes (scoring the hot girl!) to his failures (he's not gonna be on RAW anytime soon) I felt for Waldo even after his ultimate evil is revealed.

Waldo the Dog is a film that will stick with you long after you've seen it. It's a breakout film by a talented director who dares to show you a glimpse of the absurd fiction of America. You might not always know where to look for it, but Kris Canonizado is a guide to lead the way.

Gore-ipedia

Nothing to graphic that a 8 year old couldn't handle.

Nude-ipedia

Nada

WTF moment

The reveal at the end and pretty much the entire movie

The Jaded Viewer's Final Prognosis

I can't say enough good things about this film. I hope anybody who loves independent film will check this out. It deserves a cult following.

The Vitals

Rating:
1/2

Check out the trailer below.


"WALDO THE DOG" - FEATURE FILM TEASER TRAILER from Kris Canonizado on Vimeo.


Wednesday, August 04, 2010

The Forgotten Cult Classics of Cannon Films

One of my favorite MST3K episodes was when they riffed on Alien from LA starring Kathy Ireland. I recently watched this episode on YouTube and it still freakin hilarious. So one thing led to another and I realized this movie was produced by Cannon Films, a now dedunct film company. So doing a bit of research I realized Cannon Films produced a lot of my favorite movies from the 80s and 90s. Such classics like Bloodsport, Masters of the Universe, Cyborg, The Barbarians, the American Ninja series, Cobra and Over the Top.

So what else did they produce? I'm glad you asked. There are quite a few laughers and rock em sock em awesomeness in their collection and I figured I'd pick a few to showcase. To get you ready, here's a seductive picture of Kathy Ireland in her Sports Illustrated swimsuit issue days.

Feeling good? OK let's check out some good schlock and goofiness from some awesome movies courtesy of Cannon Films. First up Alien from LA starring squeaky voice Kathy Ireland.





Oh those center of the world hijinks. Gotta love em. Up next, is Hollywood making a comedy out of nuclear war fear...it's America 3000!





What's a better segway from post apocalyptic 80s hair? Christina Lindberg of course. Here is Maid in Sweden. A young girl's story as she searches for the man of her dreams in Stockholm by sleeping with every man in Stockholm.





How do I top a naked Christina Lindberg? With Captain America of course. You knew this was coming. Fuck the Avengers movie. This has Red Skull!




And finally, the last trailer was the last movie ever produced by Cannon Films. It's Street Knight where Jeff Speakman (aka "The Perfect Weapon") battles Mexicans gangs, Black gangs, the Mafia, the police, convenience store clerks, horses and mechanics.





Got any other favorite Cannon Film classics? Do you remember these flicks? Nostalgia away!

Thursday, May 27, 2010

WTF Films: Subconscious Cruelty

I've documented how my horror persona "the jaded viewer" came to be. With posts about the 5 Horror Movies that shaped my horror psyche and 5 websites that inspired this site, its a little glimpse into how the jaded viewer became jaded. The fact that I did a bit of horror trading back in the day has indeed made me witness some of the worst the best and the WTF of horror films.

But I'm going old school here. Some of you have heard of Subconscious Cruelty. Others have not. But if you have seen this visual mind fuck, you know where I'm going.

So introducing yet another ongoing feature, I bring you WTF Films. Films that are waaaaaaaaay over the edge when it comes to extreme underground horror.

Directed by Karim Hussain and produced by Mitch Davis, Subconscious Cruelty isn't an actual story driven movie but more of vignettes that make you question your morality. Truly one of the first shock movies of the 90s and early 00's, its there to obliterate your senses with scenes of full frontal nudity, deviant sex, masturbation, cannibalism and religious defamation.

Plus there is lots of bodily fluids oozing all over the fuckin place. Wanna see what I mean? Check out the clips below (OBVIOUSLY NSFW!)


Here is a weird Japanese trailer of the flick. Hahaha. I like how they compare it to David Lynch and David Cronenberg. It's a little more extreme than that dude.





Here's a couple of scenes of nekkidness and cannibalism and religious fuckedupness.




Not sick yet? Wanna see what they came up with for a birth of a baby scene No? C'mon yeah you do you fucked up mental case you.




I'm not saying it's good or bad, but you do start to wince quite a bit after watching the whole 92 min film. I mean even the clips above are quite gruesome and sickening. Sure it could all be artsy fartsy and avante garde. Showing tons of taboo shit in a film while narrating with Bad Religion like lyrics may be "intellectual" and metaphoric to some. Others will find it just a pile of heaping, smelly shit.

Who knows what the hell Karim Hussain was smoking back in 99. All I know is I remember this film for pushing me beyond what I could take visually in a "horror" film. Insano Steve and I always tried to go over the edge with our horror resume by searching and eventually seeing the supposed craziest, weirdest most fucked up shit possible.

Subconscious Cruelty was one of the first and most memorable.

Monday, September 08, 2008

The Films of Alejandro Jodorowsky

He's made only half a dozen films but like Stanley Kubrick, the body of work of his films cannot be denied.

They are cinematic experimental, avante garde and magical realism masterpieces.

You may not agree with that conclusion. But the scope of Jodorowsky work is summed up as surreally bizarre with a touch of insanity.

From a western with mythic overtones to serial killers finding religion, it's a world like no other.

If anything, millenials should Netflix the following films to understand why Jodorowsky is important.

El Topo, The Holy Mountain and Sante Sangre are truly works of cinematic astonishments that deserve more art house viewings instead of being relegated to midnight showings.

The clips and trailers below, I hope, can give you a taste of what is, and hopefully that will be enough for a full course meal.

1.) Fando Y Lis (1968)





2.) El Topo (1970)





3.) The Holy Mountain (1973)





4.) Santa Sangre (1989)





5.) The Rainbow Thief (1990)

No trailer available


King Shot is supposedly Jodorowsky next film after 3 decades of film hibernation. Hopefully we will see more of the same.

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