Showing posts with label american mary. Show all posts
Showing posts with label american mary. Show all posts

Monday, January 21, 2013

Top 10 Horror Movies of 2012


Well here it is...as always in the middle of January my Top Horror Movies of 2012! Sorry for taking so long to get this posted but I had to catch up on some of the movies I missed this year (yet again) I usually look at other bloggers and horror site's lists and watch the movies that I missed.

This year, there is no #11-20 list. I just didn't see that many movies this year. It was one of those years I just lacked on the horror movie watching as well as the blogging. My apologies for the low number of posts this year. I know many people use what I post here to see movies I recommend and what they missed. I promise I'll try to be better this year.

My list has few movies that have appeared on others but I do put a spin on the order. I had a different take on what was considered "the best" this  year and my picks are totally abnormal from everybody else. I'm just quirky that way.

First some fun facts and sidenotes!
  • Though some of these movies came out in 2011, I label any movie that got  wide releases or DVD releases in 2012 as coming out in 2012.

  • It's a mix of indie horror and theatrical releases but mostly indies.

  • I missed seeing some theatrical and indie horror movies but you have to rank what you saw so that's what I'm doing.

  • The top 10 films broken down by country: USA = 5, UK=2, Canada=1, Australia=1, Spain=1, 

  • The 10 films broken down by spinkick rating: 4 spinkicks=3, 3 and 1/2 spinkicks= 3, 3 spinkicks=4
  • There are a record 4 spinkick movies on this list!

  • A movie that had 4 spinkicks doesn't necessarily mean it was better.

  • To read the entire review of the film click on the title.

So what did 2012 offer us in the world of horror?

  • This list is dominated by independent horror films (again)

  • In a twist, there are no movies from the Pacific
  • Sequels and remakes dominated Hollywood yet again...and I'm fuckin bored of it.

  • Everybody has Cabin in the Woods on their lists.

  • The number one movie on my list is from the USA for the second straight year!!! (can you believe it???)

I take it some of picks will lead to WTF faces and "you're fuckin crazy". Isn't that the fun of these year end Top 10s? Let's get to the list! Here are some honorable mentions.

The Walking Dead (Season 3): Loved the first half of S3.
The Dead: Great African zombie film.
I missed a lot of great mainstream and indie horror films this year. I hope to get caught up soon.

OK now on to the list!


10.) V/H/S (3 spinkicks)

VHS somehow pulls off what amounts to a mega punch in the stomach. 5 segments, each directed by a film veteran are wrapped around a plot of a group of kids looking for a mysterious VHS tape in a seemingly creepy house. Though not all the shorts are great, each one is solid and creative enough to put you on the edge of your seat. The shaky cam will get you reaching for the Dramamine and the acting is highly questionable. Think Troma stiffboardines.
But aside from it's drawbacks (another being which short would anchor the ending) it delivers on a promise of being a "back to the roots" kind of underground horror. Splashes of monsters, home invasion, Paranormal Activity phenomenon are just a few of the things you'll see. But the overall theme seemed to be douchebags getting their comeuppance. We all like seeing drunk, horny, misogynistic miscreant fuck ups getting slaughtered by the obvious vixen in the bottle and VHS delivers just that.

VHS is a feel good throwback to an 80s style grindhouse. Gore and nudity, the staples of any horror breakfast are plentiful and wrapped around in stories that will make every horror fan smirk and applause with delight.




9.) [Rec] 3 Genesis (3 spinkicks)

Rec 3 is clearly the lull before the storm. I'm hoping  Jaume Balaguero will go all out crazy with Rec Apocalypse to end this series on a good note. Most horror fans, bloggers and critics are caught in the middle with Rec 3 as it pulls into a totally different direction than the first 2. But you have to admit, from the traditional filmmaking and the POV mixed in and a wedding day that you won't soon forget it really does pack some line dancing hilarity and oozes kegs of blood.

I think the fun in Rec 3 is mixing those two together and somehow the series feels Rec-ish but has something new to offer. At 120 minutes, it's not like we had scenes of drawn out nothingness. Everything in Rec 3 is paced with some scares and funions, the acting is delightful and the gore and splatter are plentiful.

What's not to like? Thank goodness they didn't start dancing Gangnam Style. I would have just shut the movie off right then and there.






8.) Maniac (Remake 2012) (3 spinkicks)

 Maniac is a far departure of the normal horror movies in the indie circuit. It's a brutal and relentless 90 minute first person point of view of a slasher doing slasher things. With it's POV gimmick, it clearly forces you to LOOK directly at the horrific kills without a cutaway. It's this forced perspective that during the course of the movie makes you in every way live the life of Frank, our intrepid killer. The horror he creates is far from playing a Call of Duty game. It's realistically sickening and oddly sympathetic as Elijah Wood's performance transcends the Joe Spinnell one in an American Psycho sorta way.

Once you get over the fact it's a remake that follows the originals story, the POV hitch, and that it takes place in Los Angeles (say what?) it is a unique piece of horror cinema. I was shocked by how it made me care about this misogynistic motherfucker, his past and his longing for companionship. From it's shocking opening  to it's WTF ending, you can't ignore Maniac's rawness of bring a serial killer movie into a whole new level.





7.) Kill List (3 spinkicks)

On the surface, Kill List looks to be your standard five and dime crime thriller. Underworld goons doing their trade eliminating threats for $$. But as I thought about the film after watching it, you start seeing the layers underneath Kill List that enable you to see a movie that has more than meets the eye.

Kill List is a film that slowly burns you into a look into the life of a retired hit man and scopes out a world where his past, his present and his future all collide into an orgy of madness. It's an interesting journey seeing a drama, gore soaked slaughter and a Wicker Man-ish horror flick all blended into one. Sure there is a twist at the end and numerous unanswered questions which make you go WTF but it stills hit you harder than a hail of bullets.

What you'll get from Kill List is a character study of a soldier turned assassin who elects to try to live as a normal but it seems PTSD and pure conditioning to kill are not as easy to shut down when you get home. There is pure hell to pay for the sins of your past and it seems mysterious forces want have molded our hit man's world into their own.

Kill List is a solid flick that may seem like Pulp Fiction without the glitz and glamour. And for that it gets high marks for showing me a touch of all the genres I love from the UK.





6.) Excision (3 spinkicks)

In Excision, Richard Bates debut film based on his short, a coming of age story on a volcano of WTF. Delusional and dreamlike, Excision is suburban America macabre, weirdness with a smile and a bloody mouth. It feels American Mary-ish but less grown up. Which isn't really a bad thing. I would say it would be this years The Woman, where we see the suburban darkness in a Tim Burton like universe.


Excision is that little film that questions our American values and whether or not we can find happiness in who we are and whether or not we can do it while were a little bit crazy.

Underneath the prototypical family is a world we don't necessarily see. Everybody is a bit crazy, has dreams that would make the most alpha male cringe but we hide those feelings and those thoughts deep into the trenches of our brain.

Some people let it all out and show the world who they really are. So who's really normal huh?






5.)  I Am A Ghost (4 spinkicks)

 Mendoza's I Am a Ghost is a slow burn ghost story that channels all the suspense of Kubrick film and releases it's madness Ti West style. You have to admire a film that throwsback to a cinematic style of vintaginess and still delivers. Add the fact the entire movie is centrally focused on one character, Emily (Anna Ishida) and in one setting, an old Victorian house and it's a bit risky endeavor. But that's why indie horror is a frontier. You'll never know if it will work if you don't try right?

I Am a Ghost plays with the viewer, forcing a WTF in every brief but cryptic scene until it slowly lets you in on the secrets that plague our dear Emily. Like a non linear jigsaw puzzle, all the pieces begin to make sense as the picture progresses (the eggs!!!) and once you see the entirety of the film, it's quite a sight to behold. It's full of chilling moments, superb acting and a twizzer twist on the ghost genre.

Mendoza's story could easily draw comparisons to The Sixth Sense, The Others and The Innkeepers but that would be a disservice. What this film does is create a sense of dread, hopelessness and mystery and reveals a young woman's disturbing secret has not been eliminated in death. It's a journey through a photographic album of a life that was full of hardship and pain, where our instinctive nature to see a happy ending won't be answered. The very nature of the ghost story is that it is suppose to scare you. But here we are in a comforting role though the scares do come in a frenetic ending.






4.)  John Dies at the End (3 spinkicks)

John Dies at the End is all that is great with indie horror cinema. It's full of wacky and memorable characters and every scene oozes more WTF from the last. It is Bill and Ted but for horror fans. The premise is so kooky, it's like you're seeing a mental patients wet dream. What JDATE does is really smack you with 80s horror ingenuity, spew out comedic literature a mile a minute while making sure you have no idea what's going to happen next.

It's really a fun horror comedy that is this year's Tucker and Dale. Dave and John (our main protagonists) are a dynamic duo who tackle apocalyptic evil in a most hilarious way possible. I had a feeling John Dies would be on my Top 10 list of 2012.

Once I finished seeing it, I knew exactly where to put it. 

It's one of the best movies of 2012 as it hits all the right notes on how effective indie horror can be when you can take the source material and be faithful to the essence of why it's a cult classic. Yes John Dies will be the strangest horror movie you will see this year. But it's the drug you need to take.






3.) The Loved Ones (4 spinkicks)

The Loved Ones is the perfect combination of sour and sweet. One moment your seeing all  hell break bloody loose and the next you're watching the nostalgia of prom night. It's the two perspectives on a special night, one that is awkwardly normal and the other straight out of a bizarro horror world. Our protagonist Brent gets the latter and it's been a while since I openly rooted for our final guy to get his revenge served cold.

This is the movie horror fans will call a cult classic and the ones horror fans will recommend to their causal movie fan friends. Prom has always had hijinky and quirky moments. That pesky virginity has to be lost. But you also grow up on that special night. In horror terms, you survive and that's all that counts.


Whatever you may think, The Loved Ones cements what I love about horror movies. Sometimes watching over an hour of hardcore horror is way too much. Intersperse it with scenes of juvenile American Pie jokes and it lessens the eye strain. The way the Loved Ones completes its plot and story arc make it feel like you watched a damn good stand alone episode of Carrie but Australian.

We'll get our prom gone all fucked up this year when Carrie goes all telekinetic, but if you want your fix now, I highly recommend you watch The Loved Ones as soon as you can. It's as good as getting a hole in your head.






2.) American Mary (4 spinkicks)

American Mary is without a doubt one of the best movies of 2012. It is a dissection into the world of body modification that takes a wrong, dreadful turn for the worst. Full of long lasting scenes of female empowerment taken to the limits, it is by far the most powerful, stylized and slickest look into one woman's journey from hopeful optimism to a revenge served cold despotism. The Soska Sisters have created a horror film that is light years ahead of their previous effort. With American Mary, they give us a Joss Whedon like character study into Mary (Katharine Isabelle), who we will see grow up and find her place in the world after experiencing severe trauma.

Never have I seen a movie that delves into this subculture, treats it respectfully and slices in a perfect horror movie inside. I guarantee American Mary will etch it's way into cult status. It's perfect blend of sly black humor, absurd and eerie characters and torturous scenes of pain and agony that equal a milkshake of cult awesomeness.

Horror movies have just grown up in a big way thanks to American Mary.



And the #1 Horror Movie of 2012 is...........






1.) The Cabin in the Woods (4 spinkicks)

The Cabin in the Woods is the best horror movie of 2012. To go even further, it probably is the best horror comedy of the last 10 years. My fellow jaded viewers, CITW is better than Scream (sorry Wes) and all its bastard children. Tucker and Dale vs Evil hinted towards a meta aware horror comedy but CITW goes lights years beyond that. Simply and concisely summarized, Cabin is a meta self aware revolutionary horror comedy that takes those structured horror cliches, be it the stereotypical characters, the irrational choices, the set direction and the mythos and goes all man behind the curtain on it.

Joss and Drew go all Wizard of Oz-ing on the horror genre and it's so brilliant, so awesome and so fucking clever you will leave the theater in a state of pure happy happy joy joy bliss and understand why #CabinintheWoodsisEPIC was trending on Twitter. It's a horror reference machine, sending you cameos, trends and cliches a mile a minute and it asks you to get it. Do you get it? Do you understand the parody of what you're seeing? You don't? Then go ask somebody. Go watch the Universal classics, the slasher franchises, the Kubrick masterpiece. Then you'll understand why Cabin is going to spawn it's own genre and some bastard children of it's own.

The Cabin in the Woods will be remembered as a game changer in the world of horror. It's a horror movie within the making of a horror movie. The Whedon elements are pure mythological magic, where he introduces something new to an audience that has long forgotten or chosen to forget why we all love the horror genre.

Goddard and Whedon break down into the slasher formula and ask the questions we've all asked before, during and after the movie. We've always questioned character motivations, absurd coincidences, elaborate backstory and heroic save the day moments but never has it been put in a movie so brilliantly and with such style and and LOL zingers.

A new generation of millennials has now been introduced us to the topsy turvy world of Hellmouth 101.

****************************************************
OK, I know you fellow jaded viewers have your opinions and your own lists. So go ahead and let me know what your top 10 is and what other flicks I may have excluded. Chime in and let me know what you think.

This list of the Top 20 Horror Movies of 2012 also is an opportunity to see the movies you may have missed that made many of the best of 2012 within the horror community. We all missed a few flicks here and there. I hope you all give all of these movies a chance and then come back and let me know what's the what.

The Jaded Viewer Related Linkage

Wednesday, January 16, 2013

Excision (Review)

Excision

Excision (2012)

Directed by Richard Bates Jr.

See the poster on the right? That's actress AnnaLynne McCord. She is extremely hot and beautiful. See the upside down picture of her? That's also her. What you'll get with Excision is more upside down brunette AnnaLynne rather than blonde AnnaLynne. And you know what?

It's that brunette "ugly" AnnLynne that makes Excision one hell of a fuckin movie.

McCord's complete transformation from one of the hottest young stars in Hollywood to an outcasted, odd and completely crazy Pauline is one of the best performances of the year. In Excision, Richard Bates debut film based on his short, a coming of age story on a volcano of WTF. Delusional and dreamlike, Excision is suburban America macabre, weirdness with a smile and a bloody mouth. It feels American Mary-ish but less grown up. Which isn't really a bad thing. I would say it would be this years The Woman, where we see the suburban darkness in a Tim Burton like universe.

It's truly one of the oddest and jaw dropping films I've seen and makes a case for a spot on my 2012 list. Weird vivid imagery, characters that are all red blooded 'Murica! and a lead character that goes against all that is normal in our very normal world.

Whatever I thought would happen, didn't. And for that I applauded.

Boring Plot-O-Matic

A disturbed and delusional high school student with aspirations of a career in medicine goes to extremes to earn the approval of her controlling mother. 

Awesome Review-O-Matic

The movie starts off with delusions. Pauline's (AnnaLynne McCord) delusions can only mean she's a little more than fucked up. Bloody dreams full of corpses and unnecessary surgery are ones that can only mean one may be unhinged. She's a student with a overbearing mom (Traci Lords), a terminally ill sister and a sissy dad. Pauline is truly an ugly duckling....long uncombed hair, a few specks of acne and a wardrobe from the dollar store. Her personality is the very definition of "anti", questioning the authority of her teachers and priest. However, she is an independent woman, bent on making the people around her uncomfortable and making sure she gets what she wants.

The plot is more so a character study of Pauline. Her mom raises her in that pageant mom sorta way and as moms do make her do things she doesn't want. If there is a plot to Excision it's buried in the mundane tasks her mom wants Pauline to do. What you believe to be a movie where somehow an ugly duckling turns into a swan never goes into that territory and thank the horror gods for that. It never wavers in the fact that some people are comfortable in their own skin and no level of makeup, change in attire or weight loss will make one happy.

As we follow Pauline along, her main motivation is to survive the day, barely caring what people think of her but more so to become a surgeon to cure her sister. But how can one do that when you go against the current of all that is normal? This leads to an ending that is a reality to check to her and to all of us. A pure WTF moment at it's most raw.

McCord is downright unrecognizable as Pauline. If you Google her, you'll see an actress that barely resembles Pauline. I really do admire an actress who's willing to not rely on her looks, done some serious ugly prosthetics and give a performance that goes beyond what we think they can do. Here McCord is fantastic, her monologues against religion and than praying to God are superb. As you watch her performance, you only see Pauline a distraught teenager with some serious case of mental issues. It was amazing to see her stripped of beauty and act as this quirky know it all.

Lords also gives quite a performance as the toddler and tiara mom. Who knew an underage pornstar from the 80s could actually give a performance like this?

The seductive feeling of Excision is that you want to root for Pauline, as we the viewer usually root for the outsider. We tend to think we're all outsiders and not one of the Hollister and Amber and Crombie clone zombies. The fact she alienates everybody around her makes her more appealing. Though we all seem to think she'll eventually fit in by metamorphasizing into one of the clones, like one of those cheesy 80s teenage rom coms...she doesn't.

Bates seems to want you to be uncomfortable and like Pauline even though she does despicable things. She's "ugly", she's non compliant and she's independent. How can we like somebody like that? But somehow I did like her. I haven't seen a character like that since Lucky McKee's May. Many movies have tried this (and you'll see it in the Carrie remake for sure). It's a hard to make somebody care for somebody that crazy.

The film is not perfect though. We've seen some of that Excision "formula" of outcast vs The Cleavers before and it rehashes things in a few films I've seen before. The focus is a bit disjointed as Pauline clashes with her family, her school and her classmates. Nothing is really gained by these entanglements except getting to see how strange and fucked up Pauline is. And in a nutshell, like I said before, there really is no plot in this. There is nothing really significant that's happening to Pauline that is remotely interesting. Like I said, it's just a day in the life of....

With that said, can somebody who's everything society has taught us is not beautiful be somebody we can care about? That's where this movie will be a hit or miss with viewers. If you dig Pauline, you'll see that the American cookie cutter society is the source of the unhappy. If you don't, your more inclined for her to conform. It's a black comedy that makes you feel awkward because you may see YOU as the type of character onscreen. Pauline's witty comebacks and contradictions will make you laugh, but oddly make you think as well.

Excision is that little film that questions our American values and whether or not we can find happiness in who we are and whether or not we can do it while were a little bit crazy. Underneath the prototypical family is a world we don't necessarily see. Everybody is a bit crazy, has dreams that would make the most alpha male cringe but we hide those feelings and those thoughts deep into the trenches of our brain.

Some people let it all out and show the world who they really are. So who's really normal huh?

Nude-ipedia

Weird dreams by Pauline means naked women for us!

Gore-ipedia

Some blood that your tween brother can handle

WTF moment


The ending

The Jaded Viewer's Final Prognosis


Excision is out on Blu Ray and DVD. Check out the official site and Facebook page. It's a soon to be cult classic, waiting to be discovered by some curious movie fan and hopefully embraced by the horror community. It's worth a look to see why Excision is curiously on some Best of 2012 lists.

Rating:



Check out the trailer.

Monday, October 29, 2012

American Mary (Review)

American Mary

American Mary (2012)

Directed by Jen and Sylvia Soska

Before I begin this review, I think I have to let you know about how I got acquainted with the Soska Sisters. I found their trailer for Dead Hooker in a Trunk, thought it was cool and blogged about it.  Little did I know they'd write me back, send me a screener and an awesome personalized note to boot and then down the road to top it all off, they put my quote from my review in one of their trailers.

That sort of thing doesn't happen to me very often.

The coolness factor of that exchange aside, it's pretty awesome to have that sort of relationship with filmmakers. A simple tweet to a fan can make their day. Oddly enough after I finished watching the NYC premiere of American Mary at the Film Society at Lincoln Center, I'd get a special tweet.

American Mary is without a doubt one of the best movies of 2012. It is a dissection into the world of body modification that takes a wrong, dreadful turn for the worst. Full of long lasting scenes of female empowerment taken to the limits, it is by far the most powerful, stylized and slickest look into one woman's journey from hopeful optimism to a revenge served cold despotism. The Soska Sisters have created a horror film that is light years ahead of their previous effort. With American Mary, they give us a Joss Whedon like character study into Mary (Katharine Isabelle), who we will see grow up and find her place in the world after experiencing severe trauma.

Never have I seen a movie that delves into this subculture, treats it respectfully and slices in a perfect horror movie inside. I guarantee American Mary will etch it's way into cult status. It's perfect blend of sly black humor, absurd and eerie characters and torturous scenes of pain and agony that equal a milkshake of cult awesomeness.

Horror movies have just grown up in a big way thanks to American Mary.

Boring Plot-O-Matic

The story follows medical student, Mary Mason, as she becomes increasingly broke and disenchanted with the surgical world she once admired. The allure of easy money sends Mary into the world of underground surgeries which ends up leaving more marks on her than her so called 'freakish' clientele. 

Awesome Review-O-Matic

Mary (Katharine Isabelle) is a medical student studying to become a surgeon. Simple enough right? We tag along with Mary as she deals with everyday problems like how to pay your bills when your broke, taking shit from teachers and doing shady shit to make ends meet.  Soon our sweet Mary is forced to look for work through a faux Craiglist and in the seedy part of town. She meets strip club owner Billy (Antonio Cupo) who begins a weird subplot infatuation with her complete with Mary erotica dream sequences.

When her talents as a surgeon are used for some impromptu mob doctor-ish activities, the referrals start for her talents. She then meets Beatress (Tristan Risk), whose full on Betty Boop lookalike face and voice performance (complete with the cosmetic surgery) is by far a turn for the surreal. As she discovers the world of body modification subculture, aghast previously, it soon becomes very appetizing when a night out with the senior surgeons goes all Thriller A Cruel Picture, Mary goes into a very dark place and we see her go Darth Vader in a way that equals the best performance of the year.

Katharine Isabelle is super duper fantastic as Mary. Her transformation from super smart and caring student to a full blooded vixen is magnificent. Aside from being easy on the eyes, she can enhance a scene by her look which juxtaposes what the title infers. The American Mary is a modifier of the ideal of beauty through extreme means and it is definitely not uncommon in our plastic surgery, botox, drive thru website world. Isabelle's metamorphosis is slow and steady. From her clothing, to her makeup to her teetering morality, her performance clearly was so fuckin awesome to watch. She's been gathering awards through the many film festivals American Mary and it's well deserved.

Risk's performance is stunning to watch. The outstanding Boop makeup hides a beautiful actress and thus focuses us on seeing this live action cartoon character create a personality that is devilishly odd yet mesmerizing to watch. Cuno plays creepazoid Billy with some deep yearnings of something other than the life he leads and Twan Holliday as Lance, security bouncer extraordinaire somehow gives the film a bit of heart.

The Soska Twins cameo beautifully as some German modifiers and are equally delicious in bringing some just on the surface black humor. Whereas Dead Hooker was over the top and cartooney with its humor, the laughs come in the ridiculousness Mary has placed herself in. Mary's reactions are our reactions and we can't help but be sickened, slightly weirded out and out normalized by who and what she encounters. It's these light hearted scenes such as Mary sharing some late night dinner with Lance talking about the fucked up shit they've done that have shown how the Soska's have evolved into filmmakers who can craft scenes where the dialogue and mundane intertwine. It's almost Tarantino like.

One can't talk about American Mary without mentioning the NON-CGI effects they employed. Special effects guru Todd Masters uses stellar prosthetics and old school blood techniques to get us some ample splatter and gore. The Soska's seem adept at giving us cringe worthy scenes that have a Kubrick-esque element to them such as when Mary goes all Kill Bill on her "victims". With some clever camera work,  I have never seen such  pure torture scenes become still photos worthy of a place in the MOMA. The Soska's

The ending is clearly hinted at as Mary's transformation from poor medical student to famous body modification artist to the stars. You can see what's to come, see the evil that she's done but somehow still want her to win. It's a testament to the Soska's to create such a character that the audience wants to root for, a Dexter like ability is hard to pull off.

Weird subplots involving Billy's wet dreams and a cop on the trail of a murder creep there way in. This isn't Law and Order and take away from the characters we really want to know more about. The dialogue is filled with rough around the edges film noir 'logue, but can be forgiven if we are to succumb to the oddities in a bizarro world where Dick Tracy is the staple for all police models. I would have loved to have the Soska's add more scenes of Mary and Beatress and Ruby (Paula Lindberg) who's surgery Mary performs turns her into a real life Barbie. Body modification culture is mostly unheard of subject in film (especially in horror movies) and exploring this world with our Mary would have been infinite more rewarding than a cop investigation or sleazy Billy's bar drama.

With all that said, American Mary makes up for it scene after scene of pure melodramatic WTF (which to me is a good thing). It's in a weird in between world of The Human Centipede and Hostel. The Soska's are fans of Eli Roth and you can sense the torturous creations they've created are a wink to him. But what is all the Soska's is American Mary's twisted vision of revenge, a glimpse into a culture even the most hardcore horror fans may be freaked about and create a film with surgical precision that has all it's elements ticking like fuckin clockwork.

American Mary is 100 minutes of femme fatale awesomeness the indie horror circuit hasn't seen in a while. New, fresh and innovative are words that will be tossed around to describe it. But for me, American Mary can be described as passion. The Soska's embrace the twisted tales the horror genre can deliver to an audience. It's an evolution by filmmakers who are in the genre because they love horror, not because they want to make a quick buck.

We need more talented filmmakers like the Twisted Twins and we need more movies like American Mary. And we need horror fans to support both.

Nude-ipedia

Surgery and strip club boobies

Gore-ipedia

Serious body art modification
Torture meets torture scenes
Blood soaked splatter

WTF moment

First time we meet Lucy

The Jaded Viewer's Final Prognosis

Rarely does one get a super cool tweet from the Soska's right after I see their movie, but I did. American Mary is on the film festival circuit but was picked up Universal International for worldwide distribution. Also Anchor Bay will distribute in Canada. US distribution I'm sure is coming soon.

If you want to get started on Soska Sisters 101, pick up Dead Hoooker in a Trunk, read my review, watch one of their shorts, Like them on Facebook and follow their Twitter.

Then you'll be ready for what's to come in American Mary.

Rating:

Check out the trailer below.

Friday, July 13, 2012

Soska Sisters unveil the full traielr for American Mary!

The fabulous Soska Sisters are at Comic Con but they've made Friday the 13th a happy day today by unleashing the full trailer for American Mary.

I'll admit, it looks devishly awesome as Katharine Isabelle may be the hot kind of psychotic we all need.

Check it out below and let me know your thoughts!




Thursday, April 21, 2011

Soska Sisters American Mary gets a poster

The Jaded Viewer has been covering all things Soska. The Soska Sisters have debuted their poster for their latest feature American Mary. Front and center is the lovely Katharine Isabelle looking kinda coma and tosed. Wait...is that somebody copping a feel?

The tagline is "Appearances are Everything" which is intriguing in itself. This needs an IMDB page stat. In any case, the plot is still mum as the Soska Sisters will wait until we've gotten over our nostalgia Scream fetish to unleash this flick on us.

Here's the teaser in case you missed it. As I loved Dead Hooker in a Trunk, I can't wait for this one.



Tuesday, February 01, 2011

The Soska Sisters American Mary gets its Mary!

Big news from the world of our awesome Twisted Twins. The Soska Sisters who gave us the uber brilliant Dead Hooker in a Trunk (review here) and the short Bad Girls (review here) have announced the lead "Mary" for their latest film American Mary. It's at the ned of this PSA video below for Women in Horror Month.

Also, check out what the Twisted Twins have to say about the video via their Penny Dreadful blog.




There ya have it.

American Mary is Katharine Isabelle!!

Isabelle is well known for her work in the penultimate growing up werewolf classic GINGER SNAPS as well as being in Freddy vs Jason.

Also, check out the teaser trailer For American Mary !




Head over to the official site for more info and check out their official blog. You can always follow the twins on Twitter as well.