Showing posts with label western. Show all posts
Showing posts with label western. Show all posts

Friday, January 04, 2013

Django Unchained (Review)

Django Unchained

Django Unchained (2012)

Directed by Quentin Tarantino

Movies these days are not events. We see a flick and for 90 or so minutes we're entertained. But for some of us who grew up on Quentin Tarantino films, it's a little bit different. I saw Pulp Fiction in the theater. And then all his successive films were must see in the theater.

So when Django Unchained came calling, I was buzzed and hyped. And I know why.

Because nobody can craft a film like he can.

Django Unchained whisks you into a world where HIS characters, his conversations, his heroes and villains are like no other. He can give you a blood bath in one scene and a serious satirical take on the horrible history of this country. I posted a 5 Movies You Need To See Before You Watch Django Unchained. It's a good list but nothing can compare to the movie itself.  It's a fantastic homage to the spaghetti westerns we've all seen though I wouldn't call myself an expert. Insano Steve luckily was and appreciated the cliches. Extreme closeups, nice exterior shots, men on horseback riding into the sunset.  We get them all in Django and in a world of CGI -fests, seeing a movie BE a movie pre-technology is refreshing.

Some said a spoof on slavery is blasphemy or that tackling a revenge thriller with slavery somehow insults the past (ahem Spike). But here's the thing. The mass of jabronis  won't see Lincoln or some history biopic about the past. Something has to hook them. When you want to talk about something serious, something important about the past or how the world is, you need to roll it up in some fuckin awesome salsa (see Serbian Film). That's what Django does. It shows the horror of slavery but puts some hot sauce in it. And in a way it works.

Masses of people saw Django. In the theater I was in some black people were so distraught they walked out. I'm not sure what they thought they were going to see but fuck, I mean it's Tarantino slavery revenge epic, what did you think this was? In another ironic twist, outside the theater a black girl was being arrested by a seemingly all white NYPD. I thought Django would ride into the middle of Times Square to exact some revenge-o-mundo.

I won't rehash plot here as you probably know the story by now. What I will say is the the scenes of slavery are pretty horrific (though they are tame in comparison to Goodbye Uncle Tom's). It's a backdrop to Jamie Foxx who as Django clearly vibes of revenge incarnate. As King Schultz (Christoph Waltz in a stellar performance) guiding our bounty hunter to be, they become the awesome duo bring back memories of Jules and Vincent. In one scene during dinner, Django so close to his wife tenses up as Calvin Candie spews out his racist dialogue and window shops his "property". It's suspenseful, full of anguish for both the character and viewer that both are in pain. It's scenes like this that are pure Tarantino.

What the younglings don't understand is that QT intentionally writes these scenes out. Like the aftermath in Reservoir Dogs, QT doesn't have you go straight to Candyland. No No. He has Django and Schultz ride up with Candie and crafts scenes of horror so you understand the disgusting plight of how the black man was treated in the 1800s. And so Calvin Candie becomes an evil you have never seen. Leonardo DiCaprio is unbelievably magnificent giving off a wickedness one can expect from every performance. Seeing DiCaprio play a villain is such a change of pace, I can see why he wanted to be part of this film.

Also, like in Inglorious Basterds, villains come in many forms. Who we perceive as the ultimate villain is just a red herring to seeing the person we really should hate. With IB, it was Hitler as the face of evil but by the end we see it's Hans Landa being the focus. In Django Unchained, Candie is plastered all over the trailer and poster but we begin to see Stephen (Samuel L. Jackson) is the man that has more to lose than Candie. Even Candie begins to adapt, recognizing Django as a unique and "intriguing" free man, being even open to allowing him to question his motives. But Stephen, as a house slave does not want the status quo to change. In a hilarious scene he questions who fuck this [insert N word here] is riding this horse. He has power and does not want to share it. Who is more evil in this twisted world?

And then after we've monologued with some brilliant conversations and dialogue, QT gives us a fucked up bloodbath on a massive scale. Bounty hunting like a motherfucker. Whips, shotguns and pure relentless Smith and Wesson shootouts. It's the Southern blood bath every body had hoped for. Even QT's cameo came with a shocking ending.

Add in the ridiculous cameos (yeah we saw you Mr. Hill) and hilarious wardrobe selection by our freed Django and the goofy one liners, it all ads up to a magnificent, breathtaking film that is a cult classic for the masses and critics alike.

Django Unchained is loads of fun. Quentin Tarantino is the original master of the revenge epic (sorry Chan Wook Park)and he is the genius we deserve and the one we need right now. When a QT film releases, it's an event. What we need to appreciate is that these events may be a long time coming but we need to see them for what they are.

An original movie wrapped up in an amalgamation of genres, with a side of satire with some damn hot sriracha sauce. Now that's fuckin yummy.

Rating:


Check out the trailer below.
 



Monday, January 17, 2011

A Foundling (Review)

A Foundling

A Foundling (2010)

Directed by Carly Lyn

[screener provided by Carly Lyn]

The moment I saw the premise and trailer for Carly Lyn's film A Foundling, I was completely mesmerized.

Was this a Western film that had sci fi elements?

Were the leads both Chinese American actresses?

Was this a film about 2 Chinese American women in the way back West finding an alien?

Yes to all these questions. The beauty of independent cinema is your not constrained by a formula. You can write any story you choose, cast any leads you want and throw in a hook that nobody has ever done before.

Carly Lyn does all of these in A Foundling. It's a beautifully crafted film that tells a story that for once in my long film viewing history I've never ever seen before. That is both refreshing in a way I can't describe. I've seen only a few others indies (like Ink) that have made this happen. But never have I seen a movie that follows Chinese American women in a sci fi western.

A Foundling breaks the handcuffs of the conventional indie film. It's a serial Western with a twist and though follows such a simple story of 2 sisters reunited, it's even smart enough to comment on the world around them.

Boring Plot-O-Matic

Virginia (CINDY CHIU) - a young Chinese woman in the Old West - rescues her long lost sister, Mattie (NORA JESSE), from a brothel in Arizona. On their journey home to San Bernardino, they discover the strange, steaming wreckage of an otherworldly craft. Inside the vehicle, Mattie finds a very mysterious baby.

Awesome Review-O-Matic

Simply, A Foundling is about the reunification of Virginia and Mattie as they trek home to Virginia's home. Both have lived different lives and try to find common ground. To not point out that the lead actresses are Chinese Americans would be wrong. Clearly, any Asian Americans are not in many films, Hollywood or indie. To see both Cindy Chiu and Nora Jesse play strong, evolved female characters was very refreshing to see. The stereotype for Asians in films is they are either A.) skilled in martial arts B.) skilled in swords C.) An evil enemy in organized crime D.) All of the above.

Oh yes, and they speak broken English. This is clearly not the Asians in America I know. And it should be reflected in film. Chinese Americans have been in America since waaay back when. We've often heard they built the railroads. I'm no history buff but I'm sure Wikipedia can verify that. To see Chinese Americans break these stereotypes and be portrayed as Americana as can be is to be applauded.

But I digress. As both make their way home via single horse, the film introduces some wild alien lore to the mix. A crash landing brings in a mysterious alien to which the women have no idea of what this is. But they take a liking to the strange child and bring him along on their journey.

Soon the women encounter food shortages, a sick horse, white men who may have a different agenda and a illness befalls one of the sisters. The movie is not an action packed John Wayne flick here but a slow, sun drenched tale of woe. Within their journey, the women experience the world of the times. Racism, sexism and classism are all commented on. Clearly, Chinese women in America in the 1800s were the bottom of the barrel and we see trust and loyalty are challenged when the world is full of inequality.

Chiu and Jesse give excellent performances and play off each other perfectly. Chiu, playing the disciplined straight shooter seems to have a solid presence onscreen while Jesse goes all anti as a prostitute with a change of heart. If any of them faltered in their performances, the movie would have suffered greatly. But they don't and they help the film reach it's potential.

The gripes are small but they should be acknowledged. This film clearly could have been a stepping stone to explore issues of the time. I would have liked to have seen the plight of what Chinese Americans endured during the 1800s. But that may have been asking to much from an indie. The cinematography is fantastic but some scenes felt mostly filler in some instances. Somehow even the sci fi element felt a little SyFy-ish mixed in with a Lifetime movie of the week. But these are minor picks.

Lyn has carved a Sci Fi story into a Western that challenges the conventions of films you've seen countless times. I don't know why we think all alien movies need future tenses. I kind of dig these films that invade our notions of the past and blend in two genres into one.

Carly Lyn's A Foundling is that rare film that wants you to see that all the tales we've heard before can be rewritten in a new way. A Western, a Sci Fi or a travel drama can all be intertwined into a film that explores our humanity by seeing what we would do when introduced with something unimaginable.

And sometimes, we don't need a spaceship to do it.

WTF moment


Whoa! That's some funky alien child

The Jaded Viewer's Final Prognosis

I challenge you to watch something different, something new and something that's not a remake of a remake. The joys of watching indie cinema is experiencing stories and characters that never get seen. A Foundling is one of many that are part of the new frontier of independent film.

The Vitals
Rating:


Check out the trailer.






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Monday, May 04, 2009

The Burrowers (Review)

The Burrowers

The Burrowers (2008)

Directed by J.T Petty

It's Tremors but as a western!

C'mon you know that's what you were thinking too.

Didn't they have a Tremors sequel that took place in the old west? I swear they did. And it starred the dad from Family Ties. Right?

In any case, The Burrowers follows that same formula. It's a tried and true balance of underground animal monsters feasting on our ancestors. Well not my ancestors...but maybe yours.

Just a step above Sci-Fi quality, it's a mediocre film with very cool monster effects blending in CGI, animatronics and old classic prosthetics. The story is a bit recycled and has more political correctness than you'd think existed back in the 1800s.

All in all, it's a decent monster movie, westernized but makes 90 minutes feel like an eternity.

Boring Plot-O-Matic

A band of courageous men sets out to find and recover a family of settlers that has mysteriously vanished from their home. Expecting the offenders to be a band of fierce natives, the group prepares for a routine battle. But they soon discover that the real enemy stalks them from below.

Awesome Review-O-Matic

The similarities to Tremors and Feast is ever evident. Though both those films are horror comedies, The Burrowers is straight forward horror. What JT Petty gives us is a slow burn of suspense, some glimpses of monster attacks and a United Nations band of gun slinging slingers.

After a family is slaughtered, a John Wayne average joe, a transplanted Irish bloke, his compadre wrangler and his stepson join the calvary to find the Indians that may have slaughtered the family.

The cast is filled with "That Guys and Girls". Clancy Brown (It's that guy from Starship Troopers!), William Mapother (It's that guy Ethan from Lost!) Doug Hutchison,
(It's that killer guy from the X-Files and that Dharma guy from Lost!) Sean Patrick Thomas (It's that guy from Barbershop!) and even Laura Leighton (It's that girl from Melrose Place!).

The filmed is filled with lots of the racist stereotypes of the Old West you'd expect. White man hates the Indians. Indians hate the white man. White man hates the blacks. Blacks hate the white man. Monsters hate and eat white man, red man and black man all equally. Thank the monsters for racial tolerance and not discriminating on eating anybody.

For the most part, the film is a mystery as the group head to an Indian reservation to find answers. They torture a poor Indian scout looking for answers. Soon a group of 5 venture out on their own.

Petty delves into the nature vs people aspect in the flick. The burrowers leave holes and in a Discovery channel docu-style he films ants within the holes. It's a theme ever evident in the film and the motivation of our hungry hungry hippoes.

They quickly disover a body, buried alive and motionless. The film hints at some jump scare moments but never delivers. There are so many set ups shots of these quick edit scare moments but nothing ever happens. Most of these in the dark, suspense buildup movies are very dependant on these jolts of BOO! But Jetty just teases and that's a drawback.

Soon after losing one of their own in a Sioux battle, they meet an Indian women whose family has been killed byu these burrowing monsters. She tells them the burrowers use to eat buffalo but once the white man killed all the bison, they searched for other food...and they got a liking to human flesh.

They use a poison to paralyze their victims then eat their organs when they've gotten mushy. I guess it's like ice cream. Thanks to the white men of old America, the monsters are looking to us as takeout.

The monsters themselves are very different from what we've seen. No slug like creatures in Tremors or big mouthy monsters like in Feast. These creatures look like that alien bug in starship troopers. They move on their inverted hind legs and have long nails to slash their victims. It's quite an odd looking monster, something new that makes them standout.

The ending is climatic battle of the remaining survivors against the horde of burrowsers. As we are on top of the food chain, you can guess who comes out on top. Though, the movie trudges along for an extra 5-6 minutes to give us our obligatory unhappy ending (remember, the politics of the day can't possibly have any minority survive this film) and we see one last glimmer of our monster (probably Lions Gate is hoping to poop out a Burrowers sequel if this does straight to DVD well).

The Burrowers is not a perfect movie by any means. It's very slow at times and their is no character you start to care about. However, it's setting is different for a monster movie and the monsters make sure your alert the entire time.

There aren't many monster movies coming out so the Burrowers may be your only outlet if you need your Mimic/The Relic/Tremors/Feast beasties fix.

Not good, not bad...this is as mediocre as you can get.

Gore-ipedia

Shotgun blasts
Ankle/foot trauma
Scalping
Burrowers trauma
Bear trap trauma
Fingernail trauma

Nude-ipedia

Damn I wish Laura Leighton got nude...but she didn't...so nada

WTF moment

The Burrowers burn up due to sunlight??? WTF???

The Jaded Viewer's Final Prognosis

Welcome to Lion's Gate horror. Nothing new here but your average horror-core. Here are some fun facts from what I gathered:

1.) There is a "The Burrowers" TV series that leads up to the movie
2.) JT Petty also directed Mimic 3
3.) Entirely filmed in New Mexico

The Burrowers. Monsters + eating people = fun-verage!

Rating:


Trailer:









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