Showing posts with label top 5 rape and revenge movies. Show all posts
Showing posts with label top 5 rape and revenge movies. Show all posts

Monday, July 11, 2011

Bedevilled (Review)

Bedevilled

Bedevilled aka Kim Bok-nam salinsageonui jeonmal (2010)

Directed by Chul-soo Jang

[part of the NYAFF 2011]

According to the dictionary, the word bedevil means:

bedevil

vb -ils, -illing, -illed US, -ils -iling, -iled (tr)
1. to harass or torment
2. to throw into confusion
3. to possess, as with a devil

If a word ever fit a movie perfectly, it'd be this one.

The masters of revenge are at it again. Korea is clearly the king of revenge cinema and after seeing Bedevilled, one can only conclude this will continue. From Chul-soo Jang, a former assistant director of Kim-Ki Duk who made his debut as director with Bedevilled, one can see his talent and style through and through.

Bedevilled is revenge cinema that will drive you nuts, pull at your emotions and above all make you think that all could have turned out differently if one only helped in a time of need. Sometimes lost in a tale of revenge is the fact that the victim hopes to solve their problems with help from the outside be it friends, family or the police. But when no help comes, they take it upon themselves to solve their problems. Bedevilled's Bok-nam our victim turned revenger illustrates this to a tee. In a world where bystanders do nothing to help her, are they worse than the man who abuses her?

It's these themes that make Bedevilled not just a good film but a great film. I haven't yelled out "Kill those motherfuckers!" at a film in a very long time. My emotions were rollercoasting all over the place and when you see it, yours will to.

Boring Plot-O-Matic

Ice-cold bank clerk, Hae-Won, knows she must be pitiless to live in a pitiless world. Let the punks muggers slide, it’s not your problem; let an old woman lose her new house because of a clerical error, you’re not on overtime. She’s stunning, she’s brilliant, and she’s finally figured out how a woman can get ahead in business: by being colder than the men. Now she’s going on vacation.

A hellish “women’s picture” from the wrong side of the mirror, BEDEVILLED is a harrowing tale of women, culture, society, humanity, and what we can become. When Hae-Won ventures back to her grandfather’s home on remote Moo-do Island, she finds it much like she remembers it from her childhood: an untamed hellhole populated by a handful of ruddy-faced men and old women bleached orange by the sun. Her childhood friend, Bok-Nam (Seo Young-Hee), eagerly awaits her arrival, desperate for human contact.

All is not well on Moo-do Island, a misogynistic anti-Eden where the women work in the fields from dawn to dusk and prey on each other in competition for the savage, square-faced brutes they call their men. When her vicious husband begins eyeing their young daughter, Bok-Nam turns desperate, begging the cold-hearted Hae-Won for help escaping to civilization, but when tragedy strikes, their sick little island paradise will never be the same.


Awesome Review-O-Matic

Well let's break this down by the definition shall we?

1.) to harass or torment

In any revenge story, there has to be a level of abuse. However, in Bedevilled the abuse is not just done by one, but by many. A collective of rural farmers and islanders inhabit Moo-do Island and they are pure, uncaring evil.

But as the story starts out, we follow Hae Won who gives us a taste of what living in Seoul, South Korea is like. As a woman, one must beware of the evils of men be it on the streets (where she witnesses a crime or the office). As she vacations on her grandfather's house in Moo-do Island, it suddenly becomes clear the same problems she was trying to escape from are here as well.

Her friend, Bok-Nam who has relentlessly plea-ed with Hae Won to visit is more than glad when she does. But soon we and her see the level of torment she must go through everyday. Her husband physically abuses her and sleeps with whores, the "aunties" believe men are far superior and they do all the farm work. She's raped by her husband's brother and her daughter is clearly being pedophiled as well. When she's stung by bees antagonized by her husband he retorts "put been paste on it".

It's a hellish life and we see it in all its distasteful glory. It's hard to watch and we the audience become angry. I felt intense flames from the side of my face and I wanted Bok-nam to "kill those motherfuckers". Like I said I've never felt this angry in a while. Bedevilled effectively makes you feel for Bok-nam and her plight. We also question why she just doesn't leave the island. But like an inner city youth stuck in his/her neighborhood or a person who lives in rural America, it's not that easy to leave the only life you've known.

2.) to throw into confusion

After more abuse Bok-nam and her daughter try to escape which leads to a tragedy. A conspiracy is employed by all the islanders with the husband, his brother, the boat driver and the aunties to cover up the crime. Hae Won now tries to escape as well seeing her vacation paradise become hell.

The performance of Yeong-hie Seo as Bok-Nam is utterly brilliant. She displays a level of talent going from hopeless victim to despair to psychopathic assassin. It's no wonder why she's won tons of best actress awards from various film festivals. She acts as one would act when under the thumb of an abuser, displays a few moments of levity and weeps as a mother would weep.

It's no surprise that when she snaps, we see her working in the potato fields and looking up at the sun. As she has a moment of clarity she says to her aunties: “I stared into the sun for long, and it spoke to me.”

Cue the death metal music.

3.) to possess, as with a devil

As Bok-nam goes all killer incarnate armed with a scythe, there is no way any sane person didn't want her to go all Terminator. It's pure revenge envy and probably the most enjoyable murderous spree you will see onscreen. I really can't believe I wrote that last sentence. Bok-nam is possessed to kill all who's done her wrong and as her victims beg for mercy and curse her with their last breath, we want her to taunt them right before they're executed.

Revenge cinema is the only time we side with one person throughout the entire film. We are Bok-nam's guardian angel hinting her to kill em all. That's the objective of revenge cinema, to have the audience throw out logic and order (like the law and the moral objections) and to root for the victim turned victor as she slaughters the torturers.

It's all about emotion and the one thing that Bedevilled does well is play with ours in the most rawest of ways. Bad people do bad things (MAKES US ANGRY). Good people do bad things (MAKES US HAPPY).

If your looking for Bedevilled to have a look and feel of Chan Wook Park, you're not to far off. But Korean cinema never makes a mockery or satire out of the revenge-sploitation. It treats its material with respect with and with a level of humanity. In some parts, it becomes a Lifetime Movie of the Week and the ending is a double whammy of sorts. I think I counted 3 or 4 potential scenes where I thought it would end but it kept going.

My only other gripes is figuring that the evil people who abuse Bok-nam are one dimensional characters designed to trigger Bok-nam's metamorphosis into a methodical killer.

Bedevilled is a magnificent piece of Korean revenge cinema that poses a question of whether or not doing nothing when witnessing evil is equal to or worse than the evil doer themselves. It's a question sociologists have tried to figure out for years, and one where nobody really has the answer. But you won't be shaking your head after you've seen Bedevilled. You'll be wanting bloodlust and revenge and you'll get it.

Nude-ipedia

Some light nudity via a perky prostitute

Gore-ipedia

Savage brutality via a scythe.

WTF moment


The ending

The Jaded Viewer's Final Prognosis

NYAFF 2011 film festival opens on 7/1. I've created a list of films to check out at this year's festival.

Head over to the official site for more info.

Bedevilled is no longer screening at the NYAFF. But if you have a chance to see it, it's your obligation to do so. Also, Hollywood is planning on remaking Oldboy. Fuck that.

The Vitals
Rating:
1/2

Check out the trailer.



(shhhhh the whole movie is on YouTube. Check it out here)

Wednesday, July 08, 2009

Sweet Karma (Trailer)

The subgenre of rape and revenge is still alive and kickin. But this time with a twist. Because it seems our heroine in this one kicks ass for all exploited women. Tack another Must See exploitation/grindhouse movies of 2009.

Check out the plot below.

There’s an underground sex trade in Toronto that few people know about. It’s a modern day world of slavery controlled by organized crime that under its thin veil of beauty and seduction is rife with drugs and extreme violence. It’s a world few would deliberately choose to enter, let alone a shy, beautiful 21 year-old girl from Russia like Karma Balint. But unlike the others that inhabit this sleazy world, Karma has one thing and one thing only on her mind. Revenge.

She's also a mute Russian hottie. Seems very similar to They Call Her One Eye and Ms. 45 doesn't it?

The movie will be making its premiere, July 11th at the Fantasia Film Fest in Montreal.

Check out the trailer below. Thanks to Arrow in the Head for the update.



Thursday, April 09, 2009

Hell Kittens (Trailer)

Like a bumfight in the alley, these rebooted grindhouse movies keep on churning and you can't look away. I've been trying to keep tabs on every little exploitation reimaginging that keeps coming out but shit, there are way too many.

So its nice to accidentally discover this little rape and revenge movie from Rottewiler Productions called Hell Kittens.

Check out the plot below.

When an underground snuff film ring leaves 5 deadly vixens scarred for life and thirsty for vengeance, it's time to see how bad these good girls can get! The Hell Kittens will push the boundaries of bloody revenge to the edge and beyond anything you've ever seen! Does the vile band of violent and perverted snuff peddlers stand a chance in hell against the untamed wrath of the HELL KITTENS? Who will survive their orgy of shocking carnage? How far are these 5 deadly dames willing to go to settle the score? ALL THE WAY!


Here be the old school, 42nd Street style Trailer. Awesome!





Looks pretty damn skippy. It's scheduled to come out Fall, 2009.

Friday, March 13, 2009

Top 5 Rape and Revenge Movies of All Time


With the remake of The Last House on the Left coming out today, I'd figure I'd get you noobs caught up on this subgenre of exploitation films. For you jaded viewers, move along, these aren't the droids your looking for.

There seems to be a reimagining boom for this genre. Run Bitch Run comes out this year, plenty more will probably come up if Last House grosses a jillion dollars.

There's a few on this list that I'm not covering from what you can read here. I love how Wikipedia summarizes rape and revenge movies in the same ole 3 act structure:

  • Act I: A woman is raped/gang raped, tortured, and left for dead.
  • Act II: The woman survives and rehabilitates herself.
  • Act III: The woman kills all of her rapists.
But check out the trailers below to see whats come before.

Honorable mentions: I Spit on Your Grave, Dogville, the Virgin Springs

Also, House on the Edge of the Park should be on this list as well as it was #2 on my Top 10 Ruggero Deodato Movies of All Time. I've placed that as a bonus trailer at the bottom.

On to the list!

5.) Freeze Me (2000)

Why it kicks ass: Haven't seen it. But its directed by Takashi Ishi so its gonna be crazy right?


4.) Irreversible (2002)

Why it kicks ass: Gasper Noe's reverse chrono flick features Monica Belluci in a sick 20 minute plus rape scene and the most fraked up use of a fire extinguisher as a deadly weapon.

3.) They Call Her One Eye (aka Thriller a Cruel Picture) (1974)

Why it kicks ass: Starring the beautiful Christina Lindberg, this movie has everything you need in your revenge bent vixen: an eyepatch, a shotgun and she's frakin mute. What more needs to be said?

2.) The Last House on the Left (1972)

Why it kicks ass: Wes Craven's first movie delivers the exploitation goods. It should be watched in all its grindhouse glory and not in a shitty remake.

1.) Ms. 45 (1981)

Why it kicks ass: Abel Ferrara's masterpiece of NYC slime and crime. Zoe Lund plays Thana who gets raped twice and then goes all revengy armed in a nun's outfit and a .45. The ending is like an LSD trip of awesomeness.


IT'S A BONUS TRAILER!!!

House on the Edge of the Park which is a glorious #6.



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