Showing posts with label ghosts. Show all posts
Showing posts with label ghosts. Show all posts

Tuesday, October 21, 2014

Nyctophobia 2014 (Review)


The first question in Nyctophobia's FAQ is: What is Nyctophobia? The answer they provide: Correct. Well that's just vague and odd. Some clarity would help I think.

But that's the beauty of Nyctophobia. You're not going to get a straight answer. What you experience is a mystery hidden in another mystery. It's a journey that's both visceral and immersive that its hard to even explain after you've gone through it. And you know what else it is?

It's fuckin awesome.

Nyctophobia is the equivalent of entering a living, breathing dream world that has you falling through the proverbial paranormal rabbit hole. You'll wake up in darkness, see flashes of mysterious figures, push the story driven arc by talking to some oddball characters, glimpse feint images of yourself and others and then you'll have to answer questions that border on the real or surreal. Nyctophobia 2014 is a remarkable experience that takes fringe theater into a whole new level.

Set in the middle of Nowhere, Long Island part of the charm of Nyctophobia is it still feels like an underground experience, only receiving the secret location the day of. The adventure begins as you drive out where GPS devices usually fail. The waiting is part of the fun of it (if you like waiting).

Entering in pairs but then separated, you'll think you've spent over an hour at Nyctophobia though it only lasts 20 or so minutes. Once in, you start to realize as I did last year, this is NOT a haunted house. It's not a scary or hardcore BOO! place but one that has you fully immerse yourself in a short novella filled with much weirdness and an interconnected story.

You truly transform into the central character and the actors will react accordingly. You can respond to all the dialogue and you'll get replies that are unique to you. What Eric Striffler has done this year is a sight to behold in that he takes a minimalist approach to maximize the spooky, the creepy and the WTF.

I will admit, I had to talk to my friends and Eric himself to fully comprehend the residual plot that was being echoed. Simple items, conversation are all interconnected if you watch out for them. As much as I think I'm smart to get the easter eggs, I wish they just told me what these were. A scene that plays out in the middle with some Q&A seemed out of place (I'm not sure how it fit in) though the ending will have you probably not looking your best. With any sort of interactive theater, interactivity is key and the more decisions and actions the participant can do only enhances the experience.

But it's slow, methodical approach is what separates Nyctophobia apart from any haunt. Parts of Nyctophobia are cohesive and have you filled with dread of what's to come. A simple walk without sight had me on edge. Even the simple act of sitting down gave a sense of vulnerability as characters would get up close and personal. As you move along, they'll remove senses like sight and hearing and emphasize touch and taste. It's a mental tug o war.

The performances by the actors are top notch, from the mute silents to the quirky serious. They seem to make sure you're in the moment and personalize what is a very tight knit structured walk through. Nyctophobia also uses their space to create different levels of eerie. You really don't know what could happen next.

My first encounter with Nyctophobia was last year was something I didn't expect. It was like a Last of Us scavenger hunt. This year, I really thought I'd be experiencing something along those lines but I was dead wrong.  The most simplistic analogy would be to say is it's an interactive holodeck of The Others. But really it's much more.

So what is Nyctophobia?

Correct.

Was that too vague?

The Vitals


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Thursday, October 16, 2014

Adam Green's 2014 Halloween Short!

via ArieScope
Adam Green has done 15 Halloween shorts and he continues it this year. I've featured these before and they are always fuckin awesome.

And you know what, I'll watch anything with the lovely Brea Grant.

Here's the synopis:

A quick Skype call between a husband and wife on Halloween night takes a disturbingly dark turn in Adam Green (HATCHET, FROZEN) and ArieScope Pictures' 16th annual Halloween short film starring Shawn Ashmore (X-MEN, THE FOLLOWING, FROZEN) and Brea Grant (HEROES, DEXTER). Lock up your dog and stock up on full-size candy bars for the Trick or Treaters coming to your door this year as you watch and enjoy.

Check it out below!


Check out all of ArieScope shorts!

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Monday, April 29, 2013

An invisible man sleepin' in your bed, who you gonna call? THE JADED VIEWER!

I've blogged about the world of horror for well over 10 years. I've watched every inconceivable paranormal, poltergeist and ghost movie probably ever made but I've never actually done any ghost hunting IRL. In less than a month, I'll be doing just that for the first time.

With some fellow Survivors, were all going to venture to The Shanley Hotel, a supposed haunted inn with a very dark past. Equipped with EVPs and recording devices, we shall see if we can hear and see the sights and sounds of the past. Part of me wants to bring a PKE meter, Tobin's Spirit Guide and a proton pack but I would need some help obtaining those items.

I've only done one other "ghost tour" and that was in New Orleans....during the day. If you look at those pictures, I'm not even sure I took a picture of a orb or ghost though they claimed there was a 90% chance I would.

Hence my tone of skepticism. I've seen and loved both Paranormal Activity and The Innkeepers. But that's movie magic and you're guaranteed to see bumps in the night. Who knows what will happen when I go on May 25th.

But here's the deal where believer and skeptic become a debate in your own head. I believe there is intelligent life in the universe. I believe there is unknown species we have yet to discover on this planet called Earth. But believing in something and wanting to believe are two different things.

I want to believe in Bigfoot and Loch Ness Monster. I want to believe extrasensory perception and time travel. I also want to believe in the paranormal. And so we put that to the test first. Because that is worth exploring. As Q in ST: TNG said once, it's "charting the unknown possibilities of existence".

Do you believe in ghosts? Have you gone on a mini investigation of our own to a supposed haunted place?
Let me know and share some advice with me.

Here be some linkage:

Monday, September 24, 2012

I Am a Ghost (Review)

I Am a Ghost 

I Am a Ghost (2012)

Directed by H.P. Mendoza

You'll have noticed a lack of reviews of late. I've been focusing on that other blog I do. The other reason for the lack of reviews is I've just been picky in what I've been watching. The horror screeners I get are full of poor men's attempt at what Hollywood wants. That's not what indie horror is.

H.P. Mendoza's I Am a Ghost is what indie horror is.

I have to be thankful I am part of a horror blogger inner circle that makes sure I see films like this. Thanks to Cortez the Killer at Planet of Terror (see his review) I feel reinvigorated in writing reviews for The Jaded Viewer. This film was a breath of fresh air and my fellow inner circler Chris at All Things Horror agrees (see his review here). It's what we as horror bloggers live for. Seeing something different, something unique and something with tons of risk that pays off big time.

Mendoza's I Am a Ghost is a slow burn ghost story that channels all the suspense of Kubrick film and releases it's madness Ti West style. You have to admire a film that throwsback to a cinematic style of vintaginess and still delivers. Add the fact the entire movie is centrally focused on one character, Emily (Anna Ishida) and in one setting, an old Victorian house and it's a bit risky endeavor. But that's why indie horror is a frontier. You'll never know if it will work if you don't try right?

I Am a Ghost plays with the viewer, forcing a WTF in every brief but cryptic scene until it slowly lets you in on the secrets that plague our dear Emily. Like a non linear jigsaw puzzle, all the pieces begin to make sense as the picture progresses (the eggs!!!) and once you see the entirety of the film, it's quite a sight to behold. It's full of chilling moments, superb acting and a twizzer twist on the ghost genre.

Boring Plot-O-Matic

Emily, a troubled spirit, haunts her own house every day, wondering why she can't leave. With the help of Sylvia, a clairvoyant hired to rid the house of spirits, Emily is forced into a 'patient/therapist' relationship, uncovering disturbing mysteries about her past that may help her move on to 'the next place'.

Awesome Review-O-Matic 

I've slowly tried to give some leeway into the slow burn horror film. In both Ti West outings, I've been for and against it. It just depends on what's burning. In Mendoza's I Am a Ghost, the burn is full of dreamlike imagery of scenes of repetitiveness. Emily is a girl that seems oddly off. We see her repeat activities such as waking up, eating breakfast, getting groceries and cleaning. She's stuck in routine, but it seems her life in this Victorian house is not as it seems.The first quarter of  the film is a slow burn to get us use to what's been happening before were thrown into this story. Whereas you'd be bored by a slow walker, a creaky floor or a few jump scares or whatever, the snapshots of Emily in "her life" and its loopiness is a montage of foggy delight. You're put in WTF mode and it draws you in.

In her parent's room, she hears a disembodied voice of Sylvia a medium (hired by the homeowners) who is trying to help her "to the light". She cannot see Sylvia, and vice versa. In a farside twist where the ghost doesn't know she is a ghost, Emily is TOLD she is a ghost and believes it. Read that sentence again because it's important.

Sylvia's conversations with Emily revolve around the nature of "closing", her memories, her death and her routine. If she leaves her parent's room she forgets everything. The movie is a cinematic darling in it plays with a stylized Del Toro-ness. There is a bit of shabby humor between Sylvia and Emily that breaks all the spooky tension. It's like modernity meets a stubborn old man stuck in time. The conversations slowly give us a glimpse of Emily's situation as does the imprints she has left in each room.

As the film concludes, a reveal puts all the pieces together and Emily confronts what she has dreaded the most.

Anna Ishida's performance is stellarly fantastic. To act by yourself, with a voiceover as your only partner must have been challenging and she does a great job in pulling it off. There would be a point where you'd think she'd have to be overmelodramatic but her subtlety in her performance was without a doubt what made it great.

Mendoza's story could easily draw comparisons to The Sixth Sense, The Others and The Innkeepers but that would be a disservice. What this film does is create a sense of dread, hopelessness and mystery and reveals a young woman's disturbing secret has not been eliminated in death. It's a journey through a photographic album of a life that was full of hardship and pain, where our instinctive nature to see a happy ending won't be answered. The very nature of the ghost story is that it is suppose to scare you. But here we are in a comforting role though the scares do come in a frenetic ending.

H.P. Mendoza is a talented filmmaker who clearly has pulled the best the old guard and the new guard have created and made a film that resembles the best of both. You will not be disappointed to see a film that has a new story to tell, a style all it's own and an eerie take on the what goes bump in the night.

Make sure you see this film.

Gore-ipedia

A few scenes of the red stuff, nothing your grandma couldn't handle

WTF moment

The visual of Emily's secret...shivers

The Jaded Viewer's Final Prognosis

I Am a Ghost is playing the film festival circuit. Be sure to check out the official site, follow H.P. Mendoza on Vimeo and Twitter. He just wrote a film called Yes Were Open starring Parry Shen. I'm pretty psyched to see what other films Mr. Mendoza has in store, hopefully he continues to do a few more in this genre.

Rating:

Check out the trailer below.

I AM A GHOST (Reviews Trailer #1) from H.P. Mendoza on Vimeo.

Monday, December 26, 2011

Insidious (Review)

Insidious

Insidious (2011)
Directed by James Wan

Well I'm pretty late with a review for this. Part of the reason why I didn't watch this initially in theaters or on DVD was the overhype. It's on a bunch of best of lists and it's currently fresh on Rotten Tomatoes so I figure I'd give it a chance.

In any case, if you still want a review here you go. I'm going to make this quick as I know most of you have already seen it. Insidious is definitely a mixed bag for me but it definitely is slightly above average. With Insidious, James Wan amps up the traditional haunted house, flips it inside out, inserts twizzler twists and creates a genuine mythos based on extrasensory perception.

These are all awesome things and 3/4 of Insidious had me intrigued. It's when we are pushed into the boundaries of the ethereal plain and LITERALLY see the sight beyond sight called "The Further" does it all turn into a piling heap of doo doo. There are qualities of Insidious that call out "Poltergeist me!" and will always be in the back of the horror hound's mind. We see ghost/demon infiltration and we think Poltergeist...it's kinda not hard to. For all it's cheesiness, Poltergeist did it first (or mainstreamy first) and that sets the bar fuckin high.

I won't go into the plot too much. You know it. Family moves into a nice suburban home, child goes into unknown coma, weird scary jump scares start happening and a medium is brought in with her Mulder and Scully ghost hunter crew in tow. Secrets are revealed and dream worlds are seen. Cue scary ghosts and light bulbs shattering.

Performances are all OK, but the part I liked the most was the slight explanation of the phenomenon. It kind of made sense in an odd way. There hasn't been a mainstream feature film about astral projection and that should make Time Life Books proud. The old lady medium adds a flair as do the ghost busters with their PKE Meters and science gizmos. Even the initial mythos of The Further was pretty original and creative. The seance is one of the best scenes in the entire movie. I was hooked and I had this hovering around 3 and 1/2 spins, then.....

It's when you finally see the apparitions does it all look cheesy. Ghosts in bridesmaid dresses, ghosts in suits, ghosts with red war paint. The dreamworld is just our world with more tint. Why is that? Wan clearly could have figured out a way to make something unique. Even the fights between our hero father were a bit contrived.

For all that WTF, Insidious did ooze of originality and a millennial throwback to that traditional ghost story. Having seen The Innkeepers before seeing Insidious, I have a different perspective on how the generic ghost/haunted house movie can be warped into something fun and awesome. Sometimes, NOT seeing things makes the best believing. Insidious hovers like an apparition bent on wreaking havoc but in this case, only knocks a lamp over and unhinges a few picture frames.

Clearly that wasn't enough to scare me at all.

Rating:
1/2

Check out the trailer.