Maniac 2012 (Remake Review)

Maniac

Maniac (2012)

Directed by Franck Khalfoun

It's been a few weeks since I saw this flick at Film Society at Lincoln Center. I had seen American Mary the night before and though I was feeling horror-ized after seeing that I got the itch to  see this flick because...well shit it's a remake of one of the most fucked up films ever.

As I passed by on my way to the theater a surreal setting of men dressed in tuxedos and women in an evening gown competition because, shit we were next to the ballet for gods sake, a bunch of degenerate and hardcore horror fans (which included Fred Vogel, director of the August Underground trilogy and various Toe Tag Pictures who I briefly talked while waiting on line) went to see the Maniac remake. I also knew director Franck Khalfoun would be on hand to do a Q & A and Maniac was making it's NYC premiere, it was all horror gravy.

It's hard to not compare Maniac to it's 1980 original. Lustig, Spinell and Savini effects takes you back to grimy fucked up times. All I kept thinking about while watching was comparing. But I'm going to try my hardest not to do that in my review.

Maniac is a far departure of the normal horror movies in the indie circuit. It's a brutal and relentless 90 minute first person point of view of a slasher doing slasher things. With it's POV gimmick, it clearly forces you to LOOK directly at the horrific kills without a cutaway. It's this forced perspective that during the course of the movie makes you in every way live the life of Frank, our intrepid killer. The horror he creates is far from playing a Call of Duty game. It's realistically sickening and oddly sympathetic as Elijah Wood's performance transcends the Joe Spinnell one in an American Psycho sorta way.

Once you get over the fact it's a remake that follows the originals story, the POV hitch, and that it takes place in Los Angeles (say what?) it is a unique piece of horror cinema. I was shocked by how it made me care about this misogynistic motherfucker, his past and his longing for companionship. From it's shocking opening  to it's WTF ending, you can't ignore Maniac's rawness of bring a serial killer movie into a whole new level.

Boring Plot-O-Matic

Just when the streets seemed safe, a serial killer with a fetish for scalps is back and on the hunt. Frank is the withdrawn owner of a mannequin store, but his life changes when young artist Anna appears asking for his help with her new exhibition. As their friendship develops and Frank's obsession escalates, it becomes clear that she has unleashed a long-repressed compulsion to stalk and kill. (via IMDB)

Awesome Review-O-Matic

Khalfoun (who directed P2) said during his Q&A that horror (or genre) movies are bankable because they cross cultures. Horror movies can go beyond language barriers because fear is universal. The fact that Maniac was screened at the Cannes Film Festival is a testament to that.

Frank (Elijah Wood) suffers from migraines but that doesn't stop him from stalking his victims. His obsession is unique to us because we see his predator habits first hand via the 1st person POV. We see him drive, we hear him curse and narrate and taunt. The night is not safe with Frank and we're now stuck seeing what he sees.

The opening scene is legendary perfect. Slow stalking, a few tense moments and a dumb hot girl to slaughter. When the title gets shown, it's mind blowing and fuckin awesome. The movie soon delves into Frank's online habits, meeting up with 80s obsessed red head Lucie (Megan Duffy). She's easy prey and as a record plays, it's highly recognizable in the throwback scene we get. What is different in this Maniac is seeing the aftermath of the slaughter. A regretful Frank is nauseously guilty and we see his regret in the toilet. Through mirrors, we glance at the face of our slasher assassin and also of Elijah Wood, who's boyish scruffy look, cords and plaid are a far cry of Spinnel's porn star stache.

We get through flashbacks a sense of Frank's childhood as his super slut mom (America Olivo) sleeps with anything that has anything pointy. His closet becomes his prison as young Frank learns an anti-morality. In other words, his childhood is fucked up.

In one of the more effective kills and an homage to the original, Frank trails a dancer through the streets of LA. From a train pursuit to the moonlit streets, it seems Frank is way smarter than we know stalking his prey and disposing of her in a most horrific fashion. Khlafoun employs some odd techniques besides straight POV. We get out of body Frank as we see slaughter as the camera hovers above the action. There is a borderline psychosis in POVs but it works if you buy into it.

As the movie progresses and a few slaughters later he meets Anna (Nora Arnezeder),a photographer who is intrigued by Frank's mannequin shop. They soon develop a friendship and Frank struggles for normalcy in a relationship with Anna. This leads to an art exhibit of Anna's photos with Frank's mannequins. But Frank can't break old habits and when Frank consoles a heartbroken Anna, a slip of the tongue leads to a most fucked up conclusion.

What Maniac does well is make Frank a believable serial killer. He's an artist who could be in the throws of a psychosis. Frank suffers from headaches, taking pills to relieve them. My theory is that Frank's headaches are there to take him back to saneness, but he takes the pills to be the evil bastard he is. But it's just a theory.

Wood plays Frank in a way where you think he's misunderstood, fucked up from childhood and is victim of his eccentric behavior. Being a killer is the result. It's almost revenge like killing. Kill the sluts, the princesses and the people who annoy you. It's not until he goes after Anna who we get to know and like, do we despise his actions and want him to get his comeuppance.

Maniac force feeds you to see Frank's psychosis in all it's mannequin glory. The trophies (scalps) he gets from his victims are decorated on his mannequins.It's this fantasy world that Frank adores above all else, these mannequin women find no faults, his ideals are personified (literally).

The blood does splatter everywhere and it is unrelenting. The effects are top notch and coming through the killer's eyes is like seeing that Carpenter Halloween child Michael perspective in a  whole new way. The ending is a WTF to all your senses.

What the remake doesn't have is the character of it's setting. Though unnamed, it's LA and LA just doesn't have the filth that is 1980s NYC. Drug and crime ridden New York was a character in the original. It's where roaches like Frank would have been created. The sense of fear riding the subway and going to see hooker-ville Times Square are devoid in the remake. The original Maniac is a product of a NYC we'd like to forget and it's like the filmmakers tried to find the most lookalike 80s NYC and replicate it. Unfortunately it just can't be.

Maniac also suffers from any memorable kills. It's mundane approach of a killer doing his killing in a documentary sorta way makes repeat viewing very limited. We all know the shotgun through the windshield scene. I wanted something similar and all I got was a weird ass flesh ripper ending.

All in all, one can say Maniac is straight up horror extract. You will witness a serial killer, one as repugnant and sadistic as Frank slaughter his victims in the most gruesome ways possible. You will question why he does this (mannequin fetish, raped childhood?) and you will want him to to be a normal when there is no way he can be one.

But in the end, it's a cold blooded motherfuckin killer getting his kill on. It's a  horror movie seemingly going back to the basics of fear. Beauty is in the eyes of the beholder. And so is pure fucked up terror.

Nude-ipedia

Slut boobies
America Olivo boobies

Gore-ipedia

Scalp-o-ramma
Knife slaughter
Lots and lots of goreific moments

WTF moment

That crazy ending

The Jaded Viewer's Final Prognosis

Maniac comes to theaters December 26th. It's not a film for everyone, even the most seasoned horror veteran. But for the most part, it's a remake that takes the original and goes off into a new direction. It's definitely one of the most sadistic and unique horror movies this year which is why it spawned 3 spinkicks.

Rating:


Check out the trailer.

Categories: 70s grindhouse, 70s grindhouse movies, 80s slasher horror, indie film, indie horror, maniac, maniac 2 mr robbie trailer, maniac trailer, slasher films, slashers, tom savini

10 Things from 70s Times Square that exploitation movies need to bring back

Exploitation and grindhouse movies these days are no longer that exploitative. Sure Tarantino and Rodriguez can call their movie Grindhouse, but somehow if I'm not offended by it, it's not really exploitation. Planet Terror, Death Proof, Machete and Hobo with a Shotgun are all solid flicks but these as you would expect are sanitized Hollywood flicks for the masses.

70s Times Square could care less about the masses. They catered to the guy with the fedora, large sunglasses and trench coat. The true grindhouse films wanted to shock the shit out of you for 70 or so minutes. Bad dubbing, recut and edited foriegn flicks, and retitled films were the standard. But you'd have a wide selection of the WTF and outrageous. Movies that would offend you, test your limits and obliterate your tolerance for the absurd.

Clearly we've all grown up from our 70s scumminess and we'd hope to be a more tolerant and equal society. But a tiny part of me wants to see some exploitative absurdity, something that goes waaaay extreme that you can't believe what you just saw. A millennial Pink Flamingos if you will. 

Will we ever see any of these things/subjects ever made into a feature to call themselves real exploitation?

1.) Super duper racist films

Fight for your Life was completely nuts. Thing about this plot. 3 escaped inmates, a white trash redneck, a Mexican and an Asian violently assault a black minister. You've offended every race in America in one movie. Movies like Goodbye Uncle Tom supposedly cashed in on the blaxploitation craze but 70s grindhouse cashed in by being so offensive, you'd think a race riot would happen in the theater.


2.) Sexually violent deviousness

Ahhh clearly the 70s grindhouse could care less for women. Boobs, butts and skin all to be killed off in horrific fashion. I think of the ridiculousness of Patrick, a movie about a comatose man with psychic powers uses them to manipulate a hot nurse. The kills were wickedly hypnotizing and spawned an even more sexually violent sequel from Italy!

3.) Midgets and Freaks

Have you seen the movie Freaks? It was made in 1932 and starred actual midgets and freaks. Clearly we have to be PC about our little people and visually challenged these days. But the ironic part is this film is actually pretty good, shows them as normal people and featured a part of our society that would have been ignored.

4.) Pimps and Hookers (in Atlantic City)

The only time you see pimps and hookers is on HBO's AC Hookers. Oh what fascinating lives these two groups lead and somehow, yes somehow this could be exploited into some awesome movies if you think of it.

5.) Cannibals a Go Go

It's not like there are anymore cannibal tribes in the world anymore right? Right? I mean even if you stereotyped some tribe to be killer cannibals, it's not like they'd actually see the flick. It's the genre I miss the most. Devil white man gets comeuppance for trying to civilize the savages. It's the formula with a message and the gore.

6.) Mondo Schmondo

 Have you seen the footage of Filipinos crucifying themselves on Easter Sunday? No? Then YouTube it. This shit still happens. All countries still have some crazy, wacky rituals and I don't think we've seen them all.

7.) Experimental Surrealistic Nonsense

We all need a little Alejandro Jodorowsky in our lives.

8.) Something Japanese

Rule 34. If you've thought of something so fucked up, so nasty and so disgusting, chances are the Japanese have made a movie about it.

9.) Slashers who are plain old crazy

Luther the Geek was a movie about a carnival freak who bit the heads off chickens and drinks their blood. He then proceeds to kill random people while clucking. We need more films like this.

10.) The New Christina Lindberg

We need a movie where a girl next door vixen gets violated and then goes all revenge served cold. This is an untapped genre begging and pleading to resurface.

What 70s/80s subgenres from the olden days do you miss? Will we ever see any of these highly offensive subgenres/topics/things ever made in the Hollywood machine or the indie underground?

Chime in!

Categories: 70s grindhouse, Alejandro Jodorowsky films, blaxploitation, cannibal films, christina lindberg, exploitation, japanese exploitation, luther the geek, slasher films, times square