Directed by David Robert Mitchell
There is a subtext in It Follows that harkens back to the horror cliches of sex = dead. But mostly in other generic mainstream horror, it's a scene does in haste and is usually followed by a stab stab stab.
It Follows does the opposite. Teenagers do teenage stuff and then the movie lingers. And the lingering creates a horror movie that shows us the consequences from boy and girl and the horror that slowly walks towards our final girl in some sort of calculated way.
It Follows is the indie horror equivalent of Blair Witch, taking a simple story and creating a mythos. I mean we are not given much, some few clues and details but already the movie has created a wikipedia of possibilities of what It is. The movie has slow, methodical pacing, its characters Jay (Maika Monroe) is brilliantly homegrown awesome and its backup characters give it a Gus Van Sant level of authenticity.
The big word here is minimalistic horror. Mitchell uses levels of gross "It" stalkers who seem to be level up in different settings from a school to house to the final showdown. You're jump scares come because in theory you don't know the rules of how or when the come though. We're given a loose rule book of how it passes along and what they need to do but it's still cloudy.
In the end, the final scene is mesmerizing to watch. Underneath the Halloween daylight creepiness scenes glittered throughout the film, the final scene has tension, suspense and the scares.
It's clear that when a movie like It Follows defies the odds and becomes a horror hit, it puts a smile to my face. A new horror IP. Originality that takes from a miss mosh of 70s, 80s and 90s horror and creates a horror movie that satisfies.
We need more It Follows. We need other filmmakers to follow suit.
Plus a sequel. Dammit give us a sequel too.
Nude-ipedia
gross woman boobies
Gore-ipedia
A few scrapes
WTF moment
Stalkers galore!
The Jaded Viewer's Final Prognosis
This is the hidden gem of 2015. Somehow watch this and be amazed by the brilliance.
